In a stroke of brilliance, The Book of Shhh actually shares stories with the Old Testament, but, unlike the Bible, which leaves room for interpretation, The Book of Shhh is a fundamentalist text.
PANDEMONIUM LAUREN OLIVER FREE ONLINE CODE
The Book of Shhh is a Bible slash code of law that everyone in Lena’s world has committed to memory. She hates knowing she still has the “disease running though blood”, making her feel “dirty.” A lot of Lena’s fears come from The Book of Safety, Health and Happiness Handbook. She is disgusted and frightened by the idea of love. When we meet Lena, only months before her procedure, she can’t wait to be cured. Walter Freeman - lobotomy - homophobia” to see how disturbingly close to reality Oliver’s imaginary procedure is. Like all good fantasies about the future, it is easy to imagine how this world would evolve out of our own. Post op, people might resemble empty robots, but they also have long marriages and stable, pain-free lives. The procedure is a painful operation on the brain that makes it impossible to fall in love. Upon turning eighteen, the state requires citizens to submit to the aforementioned evaluation (so that they can be matched with suitable partners) and then undergo the procedure. People have come to believe that love or, as they call it, amor deliria nervosa, is the root of all unhappiness and illness. In Oliver’s prediction, Church, State and Science have fused into one fundamentalist institution. Lauren Oliver’s trilogy, Delirium, Pandemonium and the forthcoming Requiem takes place in a nightmarish future. Normalcy is a big thing when you’re a teenager - either rejecting it or molding yourself into it.īut this is not Maine - or the United States - as we know it. In fact, there is probably nothing more defining about Lena than her own longing for and belief in normalcy. An accomplished runner, she loves sleepovers with her best friend Hana and longs for the day when she can get married and settle down. She is a normal girl, mildly insecure but also stronger than she knows, not particularly pretty, but not un-pretty.
In a moment of unbridled independence, she answers, “gray” and not the state approved color of “blue.” Even though she has rehearsed her answers a million times, some impulsive, un-tameable part of her rises up as she faces the panel of government officials. IN THE OPENING CHAPTER of Lauren Oliver’s Delirium, 17-year-old Lena Haloway takes a mandatory state evaluation designed to determine what kind of wife she will be.
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